The Milk Alchemist
February 13, 2010 | Location: India | 3 Comments

Manick boils the fresh buffalo milk in a wok over an open flame. He stirs, thoughtful, coaxing his father’s dessert out of the thickening liquid.
I ask him how he will know when the milk has boiled enough.
“The milk will tell me.”
His laughter, made gravelly by the smoke of biddies, spills from the tea stall, into the chaos of Sudder Street. Manick grins at his own magic.
Chai on the Sidewalk
Helene and I met Manick when we sat on the tired wooden bench of his streetside tea stall, inches away from the endless parade of honking taxi cabs, hawkers, beggars, motorcycles, musical instrument peddlers, rickshaw pullers and the occasional goat herd. Manick’s place stood as an oasis amidst the chaos, and his masala chai – milk tea boiled with cardamom, sugar, cinnamon, ginger, and a few other spices – quickly marked the pace of our days.
At any time between 6 AM and 11 PM, walk west on Sudder Street from Mirza Ghalib Street, and you’ll find Manick busy at his stall, a little distance away from the statue of Indira Gandhi. Tall and narrow, Manick stands straight and firm, a biddie at his fingertips. Although he was born in the Indian state of Bihar, he and his wife raised their five daughters and two sons in Kolkata.
Manick is one of thousands of street food vendors and entrepreneurs in Kolkata, providing for his family through hard, unrelenting work, every single day of the year. Manick exhudes quiet strength, dignity, and pride in his work.
One taste of his yogurt, and you understand why. “This is the best yogurt I’ve tasted,” I told Helene the first time I tried it. “Like, ever.”
I told Manick. His eyes lit up.
Making Ghee
Turns out my appreciation of Manick’s yogurt was no coincidence. Manick makes his own yogurt daily from fresh buffalo milk, delivered straight from the countryside. “One hundred percent original,” he said.
To illustrate the quality of his yogurt, Manick set a curd to cook in a wok over coals. While the curd itself turned dark over the flames, a light green layer of fat began to float to the top. This is ghee, used ubiquitously in Indian cooking, and the byproduct of a long chain of transformations of fresh milk. The product is an allegedly healthier form of animal fat that has more in common with the lightness and color of olive oil than butter.
From a seemingly useless blob of yogurt curd, Manick had extracted a vital and healthy ingredient of Indian cooking. But the man was not done yet; he scraped the blackened bottom of his wok, threw in a pinch of cane sugar, and handed this to me on a plate. I tasted milk, and its caramelized sugar content.
Manick grinned. “This is called India!”
Here, nothing goes to waste. People make use of anything, from plastic bags to the mud on the streets. Manick, himself, keeps a bag of dried mud in his stand, from which he bakes his own charcoal ovens. By the time he’s done with them, they have turned red, baked for thousands of hours into the color of bricks.
Buffalo Milk Magic
Not content with making ghee, Manick makes a deal with us. I pay him in advance for two liters of buffalo milk, and return in the evening.
Manick’s father was a sweets maker, and knew no less than fifty-six sweets recipes. This recipe is one of them: with just two liters of buffalo milk, and a few spoonfuls of sugar, Manick sets about invoking some of his father’s magic. He sets the milk to boil slowly over coals.
After an hour of diligent stirring from Manick, his wife and two of his daughters, the milk acquires a shade of yellow. As the water boils away from the milk, the fat, sweet content begins to thicken. When the mixture reaches the consistency of cooking dough, I’m staring in amazement and disbelief.
After spreading it carefully about the wok until it looks like maple sugar, Manick throws in a few tablespoons of cane sugar, and forms the condensed buffalo milk into small, yellow balls.
He calls them amrit laddu, sweets made of amrit. The ambrosial substance is the antithesis of poison: whereas poison kills all those who ingest it, amrit nourishes anyone who feeds from it. Manick is right to call it thus: with a refreshingly low amount of unrefined sugar, even diabetics can enjoy the amazingly complex, delicate and fabulous concoction he has coaxed out of a simple jug of milk.
Sharing the Magic
I can see in his eyes that Manick is proud of his accomplishment. When he shares some with his daughters, they exclaim their enthusiasm. “Mind-blowing! You should be called Sweets-Maker.”
I joke to Manick that he will now have to bake amrit laddu every day for his children. Manick smiles, but shakes his head: he doesn’t have the money to make the sweets his father made on a regular basis. At $2 per pound, and two hours of preparation, they are too costly for him, both in terms of cost and time. And without a restaurant of his own, Manick cannot easily bake the recipe, which he could hope to sell for $8 at the market with some effort. So he goes on making tea, yogurt, chapati, rice and curry on the side of the street, day in and day out.
By financing the milk, I’ve given Manick a rare chance to practice his alchemy of milk. But sitting at his stall, watching his tired but shining eyes, sharing sweets and smiles with Manick and his family, I have no illusion about which of us was the most generous.
“Every man should know everything,” says Manick, who can bake his own ovens, prepare Ayurvedic medicine for his children, and coax amazing sweets out of milk. Watching him sift another pot of chai, I have to agree: my existence is richer for knowing him.
Where to Go
You can find Manick’s stall on Kolkota’s Sudder Street, near the corner of Chowringhee Lane. You will recognize the stand from the words “TEA STALL AND RESTAURANT” painted on the front.
Manick’s stall is unique on a backpacker-heavy street for catering mostly to locals. During mealtimes, you’ll see them crowding the benches, eating rice and vegetable curry.
I’ve seen a few tourists for whom the experience was a tad overwhelming and perhaps too much of India in one sitting. My one advice to you is this: sit on that bench, and stick with it. Once you taste Manick’s food, it will all be worth it. Plus, you often get to chat with local workers on tea break; and at 12 cents per glass of chai, that’s quite the deal.
Life in Exuberance: Kolkata Moments
February 5, 2010 | Location: India | 7 Comments

A middle-aged woman in a saree squats barefoot in the dirt of the sidewalk. She sings to herself softly, in spite of her hard life; the sound barely rises above the roar of cabs and the furor of the city’s life.
Her name is India, and I’m in love with her.
Life in Exuberance
For many travelers coming to India, poverty immediately strikes them and overwhelms their impression of the country. This is especially true of Kolkata (formerly known as Calcutta,) whose suffering was painfully highlighted by the work of Mother Teresa. The poverty definitely persists in the West Bengal capital; it stares at you at every street corner, not only in the plight of professional beggars, but also in the short, hard lives of manual workers, rickshaw pullers, and tea stall boys.
But left untold in so many tragic travel tales is the joy and exuberance that pushes through. Look close enough at the teeming mass of humanity, and there is joy poking through the grit. Life shines through in the songs of the people, in the laughter and the smiles that soften faces caked by hardship.
It’s not to say that this joy nullifies the hardness of their lives. If anything, it puts them in sharp contrast. But I cannot overstate the beauty of the joy that resonates through the city, day and night. For the first week, it has made my heart soar and ache at the same time, and I spent long moments with inexplicable tears of joy in my eyes.
Instead of trying – and failing – to capture my impressions of Kolkata in broad, unfair statements, here are some of the moments that touched my heart over the last week. I hope they give you a sense of the spiritual wonder, the joy, the pain and the immensity that is India.
Kolkata Moments
Shared Papad
I drink chai on a bench on the sidewalk, oblivious to the screams of car horns and the bells of rickshaw pullers. A mentally handicapped young man walks by, laughing to himself. A cab driver shares his papad with him, and laughs along; and my heart soars with joy.
The Booksellers
It takes one woman and six men to sell me the book. The woman writes an extensive receipt for five minutes. A man next to her sticks a price tag on the back cover; the next one runs the book to the bagging counter, where number three will bag it; the fourth man, smiling, takes my money to the cashier at the back. The sixth snores softly at the counter, his head against a towering pile of books.
The Goatherds
We follow the goatherds the moment they cross under the elevated overpass. For once, the taxis are quiet, weary of startling the flock as it encircles them. The goatherds stop in front of a decrepit church: one of them milks a goat, storing the milk in a plastic water bottle.
The Exhibit
We sit in the grand hall of Kolkata’s Indian Museum. A woman in a red saree approaches Helene. ‘May I take your picture?’ The woman flashes her cellphone. Later, her husband convinces their daughter to stand between us for another photo. Somehow, surrounded by centuries-old works of art, we have become the main attraction.
Sharing Tea
Judging from the peace in his eyes, the tourist on the next bench has been here a while. A rickshaw puller rings his bell for him. ‘Please give this man a chai,’ says the tourist to the stall owner. The owner throws in a cookie as well. The puller grins, eyes bright; he’s lucked out, for a brief moment in his short, hard life.
A Strange Sight
“Look!!” says the Indian teenager; she laughs and points. Ten amazing things jump at me at once, but I can’t see what she wants me to see. “Look! A foreign woman in a saree!” The entire street, blind to the chaos and wonder of its own existence, laughs and waves as the blonde woman walks by.
A Tea Tray
The tea boy hands me steaming chai in two baked mud cups. I burn my fingers on them, and put them down on a low brick wall. The rickshaw puller tugs at the newspaper under my arm; he helps me prop it up as a tray, then sets me off with a grin and a pat on the back. I spill some tea on my shoes, but Helene gets most of it intact.

